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Gratis Bücher , by James Ellroy Rudy GarcÃa Ochoa
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, by James Ellroy Rudy GarcÃa Ochoa
Gratis Bücher , by James Ellroy Rudy GarcÃa Ochoa
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Produktinformation
Format: Kindle Ausgabe
Dateigröße: 1302 KB
Seitenzahl der Print-Ausgabe: 340 Seiten
Verlag: Grand Central Publishing (1. August 2008)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B01BOOM97W
Text-to-Speech (Vorlesemodus):
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Durchschnittliche Kundenbewertung:
3.5 von 5 Sternen
24 Kundenrezensionen
Amazon Bestseller-Rang:
#278.524 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
Eigentlich mag ich keine Cop-Thriller und der Ellroy machte mir den Einstieg ziemlich schwer mit jener künstlichen und für Uneingeweihte kaum verständlichen Cop-Sprache, die wohl nur in Romanen und Filmen existiert. Aber der Ruf des Romans ließ mich durchhalten und ich wurde am Ende dafür belohnt. Ellroy zog mich immer mehr in den Bann des Geheimnisses um den Mord an Elizabeth Short, das dramaturgisch geschickt nach und nach aufgedeckt wird. Für das Opfer Elisabeth Short entwickelte ich immer mehr Mitleid, bis zu den für mich kaum mehr erträglichen Szenen ihrer Folterung. Auch die sonstigen Figuren überzeugen und die Auflösung, die versierte Krimileser wohl schon ziemlich bald ahnen, ist stimmig.Ich habe mich danach an anderen Ellory-Romanen versucht, bin aber nach wenigen Seiten gescheitert. Der stets schwierige Schreibstil des Autors wird dort nicht wie hier aufgewogen durch eine intensive, dunkle und berührende Geschichte. Also: Ellroy ist allgemein wohl nichts für jedermann, aber hier ist die Story einfach zu gut, um sie nicht gelesen zu haben, und alle Elemente, auch die für ihn typische Sprache und Erzählweise tragen zur ungeheuer dichten Atmosphäre bei.
I chose that book knowing the black Dahlia story and because I wanted to know a bit more about the investigation.The writer decided to change the story and to make it a fiction which i didn't knowThe story is good
An interesting book that leaves you feeling a little bewildered and disappointed. Not because the book is bad, but because of the lack of a person of impeccable character, a real hero. Everybody here is guilty of something: the policemen, the girlfriend, the victim, the murderer and his accessories.With regards to the comments about the book being difficult to read for non-native speakers: this is not due to complicated language, but more to excessive use of contemporary slang and colloquialisms. Even with a very good knowledge of English there will be difficulties. I daresay even native speakers will be unfamiliar with a few of the examples of boxing and police slang used in the book. If one finds the word in a regular dictionary, lack of English language command is the reason for one's problem. If a special dictionary (American Slang, etc.) is required: do not worry, it is not your fault :-)
Es ist immer das Gleiche bei Ellroy: egal, ob LA Confidential oder hier Black Dahlia. Ellroy schafft ein scheinbar authentisches Gemälde der jeweiligen Zeit und des Ortes, doch dann schleichen sich für einen Krimi zu viele Personen und einige wirre Handlungsstränge ein. Und auch das Ende dieser Geschichte ist einfach nur absurd. Man wird schon zu früh darauf gestoßen und hofft die ganze Zeit: lass es nicht so sein, doch dann ist es genau so sdchwach, wie befürchtet. Ich kann das Lob, mit dem Ellroy seit Jahren überschüttet wird, nicht nachvollziehen.
to be honest: i choose the 4 stars only because it is the everage mark given by other readers. I DID NOT READ THE BOOK, because it was impossible for me to follow the plot of the story without looking up every second word in my dictionnary.I have read quite a lot of English books before (and my reading is better than my writing), and Ellroy is only the second writer (after james joyce) who could give me such an obvious knock-out.Conclusion: not recommended for the everage foreign reader.
Expletives fail me. James Ellroy's novels are the literary equivalent of all-star wrestling. His fans ought to have the sense to be embarrassed. Originality? There are, finally, only so many ways to play pocket pool. Realism? His "crimes" are sadistic pre-adolescent fantasies. If you are wondering who the killer will turn out to be, watch for a 6'3" "gangly" man who's got latent homosexual rage.The Black Dahlia is my last shot at figuring out what the fuss is all about. Trudging through page after page of racial epithets (Here, everyone, literally everyone, refers to San Diego as "Dago"), degrading references to women (How many novels have you read where it does not surprise you when a character refers to his own grandmother as "coose"?), and teenage violence (Two grown men cement their friendship by breaking a nose), I find myself wondering how tall Ellroy is.I don't get it. I love Andrew Vachss, and his descriptions of violence and perversion engage and revolt me, as they are meant to. James Lee Burke captured the macho man's loathing of women in one line better than the sum of every misogynist word Ellroy has written. (Two guys watch a goodlooking girl walk away, and one says to the other, "How'd you like to tear off some of that?"). Ellroy's novels are for little boys eager to prove their manliness by setting fire to cats and teasing cripples.If his answer to the Black Dahlia mystery doesn't stretch your credulity, you need a tummy tuck. Read Vachss' Strega if you want to tour Hell; read Carol O'Connell's Killing Critics if you want to test your capacity for revulsion. There is a payoff in being punished by good writers. American Tabloid? I'd rather read the Warren Report or Gray's Anatomy. Ellroy's relentless Hobbesian cynicism is ultimately boring, like the hundredth viewing of the same porn film. But then, intellectual simulation isn't really the point, in either case.
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